Movie Clips
    

    

    

    

    

    

    Funny!!
         James Brown Dummy Shuffle


         Arsenije from Yugoslavia

    
    Sifu Nenad from Yugoslavia


Legend has it that in the days of the Shaolin Temple, there was a tunnel filled with 108 wooden dummies, and the monks who completed their training were required to pass through this tunnel as one of their final exams. Each one of these dummies performed a certain technique, which the "graduate" monks had to neutralize on their way out of the temple.

When the Shaolin Temple was destroyed, Ng Mui, the Buddhist nun credited with founding Wing Chun Kung Fu, escaped. In deference to her training at the Shaolin Temple, she incorporated a training set using a single Wooden Dummy. This dummy set contains 108 combat techniques, each one supposedly to represent the 108 dummies that were in the Shaolin Temple.

Whether or not these legends are true, it is true that the Wooden Dummy set in traditional Wing Chun is an excellent way to develop the skills and co-ordination needed to become a proficient fighter.

The Wooden Dummy is used to develop timing, arm and leg co-ordination, proper use and application of force, distance, judgement, footwork and to teach practitioners how to flow smoothly from technique to technique. It is also used to toughen the limbs, although this is not the primary function of the dummy.

Wing Chun Kung Fu is a system that does not rely on strength and brute force; rather it stresses development of skill and co-ordination to have the practitioner deflect and redirect an opponent's attack, while simultaneously countering with his/her own attack. Deflection and redirection is achieved with correct positioning, requiring good footwork as well as co-ordination of the arms and legs, so that they work together to redirect an oncoming attack yet leave the practitioner in a position to counter at the same time.

All fighting techniques in Wing Chun come from the techniques in the Wooden Dummy. Dummy training allows the Wing Chun practitioner a way to correctly train the body in performing techniques. The amount of power one uses at certain times of a technique, as well as the timing of delivering such techniques can be drilled repeatedly on the dummy. Speed is improved because one can drill a series of movements over and over, creating the muscle memories needed to perform techniques automatically. Accuracy is refined because the practitioner learns how to correctly position his/her body in relation to the dummy (i.e. opponent) so that both arms can be used simultaneously. Footwork and mobility are enhanced, as the practitioner is forced to move from one side of the dummy to the other, moving in and out as well as laterally. Although working with a "static" partner, the Wing Chun practitioner learns how to combine footwork patterns smoothly with arm movements that deflect and attack, developing skills that are mandatory for successful free sparring. There are 108 Wing Chun wooden dummy techniques, which are grouped into 13 sections. Yip Man thought that some sections were too dangerous to be taught publicly. Therefore, he deleted some sections. There were more sections.

Regardless of the style one practises, one always hears that to be a successful fighter there are certain qualities and attributes that one must acquire. Speed, power, timing and accuracy are always cited as requisites to reach your peak in martial arts. The Wooden Dummy of the Wing Chun system provides the practitioner a valuable tool to achieve those goals.

  The arms on the Wooden Dummy should be level to each other to keep techniques done on both sides equal. For instance, the Bong Sao with the left arm should be the same as the right Bong Sao.     The arms on this Dummy are not correct for Traditional Wing Chun.

Regarding the Sliding Dummy (bottom) Movie Clip
Most Wooden Dummies are rendered immobile by screwing blocks of wood to the top and bottom slats on either side of the dummy. The Dummy can't slide laterally. The dummy needs to slide to the left and right in order to develop waist strength (Yiu Lik). Also, giving the practitioner a chance to chase the Dummy for a little more realism.


New!   Wooden Dummy Form With Partner, Sets 1-3
 

Wooden Dummy Sections 1-4 and Application
Section 1-2 App. 1 App. 2
 
 
 
Section 3-4 App. 3
 
 

 

 
The Chinese language has hundreds of dialects. Some are so different they are like seperate launguages. Though they all read the same characters. Most westerners are exposed to Mandarin or Cantonese. Kung Fu is Mandarin for Gung Fu. So Wing Chun Kung Fu is a mixture of two dialects. Wing Chun is Cantonese, so Wing Chun Gung Fu is correct in Cantonese. Yung Chun Kung Fu is correct in Mandarin. We will use Kung Fu here because most people world wide are familiar with "Kung Fu". Kung fu/gung fu means any acquired skill. A doctor, lawyer or a carpenter is doing kung fu. The proper term for the martial arts in Chinese is Wu Shu or Mo Sut . Chi, or Qi is Mandarin for Hei in Cantonese. Chi will be used because of it's familiarity.

MANDARIN CANTONESE ENGLISH
Shaolin Siu Lum Small forest
Chi, Qi Hei Air, breath, intrinsic energy
Wu Mei Ng Mui Five Plums
Kung Fu Gung Fu Acquired skill
Wu Shu Mo Sut War Art, Martial Art
Yung Chun Wing Chun Speak of spring forever
Chuan Kuen Fist

The following tables are the Cantonese translations

Counting in Chinese

Yat One
Yee Two
Saam Three
Sei Four
Ng Five
Luhk Six
Chaat Seven
Baat Eight
Gau Nine
Sahp Ten


Chinese Phrases

Jeun Bai Ready
Jeun Geung Attack
Woo Wia Defence
Sifu Teacher
Sihing Senior
Sidi Junior
Haih Yes
Ng Goi Sorry
Do Jeh Thank you
Jo-on Good morning
Man-on Good night
Ng-on Good afternoon


Movement and Exercise

Baat Jaam Do Eight-chop broadswords (butterfly swords)
Biu Jee Finger thrusting form
Bong Sao Wing arm
Chi Sao Sticky hand exercise
Muk Jong Wooden dummy
Chum Kiu Bridge seeking form
Fook Sao Bridge-on arm
Gan Sao Plowing hand
Kwan Sao Tan and Bong deflection block
Gum Sao Pinning hand
Jut Sao Jerk hand
Kan Sao Splitting block
Kuen Fist
Fat Sao Swinging arm
Pak Sao Slapping block
Siu Lim Tao Little idea form
Tan Sao Palm-up arm
Wu Sao Protecting arm
Dai Jeung Reverse palm strike
Po Pai Jeung Double palm strike
Jong Elbow
Ma Stance
Biu Sao Stretching deflection block
Lau Sao Slipping hand
Kwai Ma Kneeling stance/horse
Yee Jee Kim Yang Ma Character two pinching stance/horse


 

 
 

 

Copyright © 2001, 2002 Elysian Forge and Phillip Redmond. All Rights Reserved.
TRADITIONAL WING CHUN ACADEMY